No notes, just Perfume Genius

June 4, 2025

Written by Perrin Boyd

Perfume Genius lit up Emo’s on Monday (June 2) night with a performance that was nothing short of a transcendental journey — a delicate yet powerful experience that merged vulnerability with unyielding strength. From the moment Mike Hadreas took the stage, it was clear this wasn’t just a show — it was an intimate, heartfelt sharing of his soul through music and movement.

The vibe in Emo’s was cozy but electric, with soft, colorful lights wrapping the stage and the crowd buzzing in every way. Mike’s voice floated between delicate and forceful, pulling us through songs that felt like deep confessions and bursts of pure joy. Every part of the show revealed the layers of pain, hope, and resilience embedded in his lyrics.

The setlist included “Slip Away,” which ignited a collective rush of joy and emotional release. “Queen” delivered fierce, unapologetic grace, sending ripples of empowerment through the room. The live mix was spot on — a dreamy blend of synths, piano, and subtle electronics that enriched the performance without overshadowing the raw emotion in Mike’s voice.

What stood out most was the undeniable connection between performer and audience. Mike’s candid storytelling, paired with his seductive chair routine, invited listeners fully into his world — one where identity, love, and healing took center stage. One moment felt like reading a page from his personal diary; the next, you were front row at a burlesque dreamscape. His vulnerability was magnetic, drawing everyone closer, as if we were all part of a single, fragile heartbeat.

The show closed in near-sacred stillness with a cover of Mazzy Star’s “Fade Into You.” Mike’s voice lingered in the air — soft, haunting, and tender — a final reminder of the beauty in stillness, love, and letting go.

Perfume Genius at Emo’s wasn’t just a concert; it was an emotional odyssey — a blend of ache and ecstasy that left Austin quietly transformed.

A Show for Hootin’ and Hollerin’

June 3, 2025

Written by Krysta Ayers

MAY 31, Moody Theater—When there’s not live music to attend, you can always count on this city to book hilarious comedy acts. And let’s face it, there’s always live music, so trading in a night of [insert your favorite genre here] to gamble on a night of comedy (it could be cringe, or it could be great!) might not always sweeten the pot—or whatever gambler’s say.

For night two of The Save Me Tour with Taylor Tomlinson, we hit the jackpot. With multiple specials streaming on Netflix, the woman has a strong presence in comedy. A seasoned comedian with a quick-witted brain, there’s no subject left untouched that Tomlinson can’t write a joke about. She talks mental health, relationships, navigating womanhood (a doozy), and the lighting in the theater when she goes off-script.

Though I can’t give you a list of the “hits” as if this were some music setlist we could all sing along to, know that her comedy was 10 times better than the bros’ slumming it at a certain local venue headed by a well-known un-funny guy. Tomlinson had a lot to say, and her pen was poised and ready to tickle us into loud guffaws and intermediate snorts.

While a date hasn’t been announced for the release of this special (she’s still on tour, y’all!), we can bet that soon enough people will be laughing at the new material from the comfort of their couch. And, if you ever need a night off from amplified guitars and two-steppin’ grooves, check out the comedy (local and traveling) that Austin has cooking. You might have missed Taylor Tomlinson in perfect form, but the future of Moody Theater promises more laughs.

Julia Wolf Sells Out Antone's

June 3, 2025

Written by Krysta Ayers

MAY 30, Antone’s—Julia Wolf has been here before. On the mic, she tells the crowd that the last time she played in Austin (in the same venue), she played to only a quarter of the people in attendance. “Now this is a sold-out show!” Years of streaming biographical singles and a recent collab with MGK for a cover of Goo Goo Dolls’ “Iris” has resulted in a motley crew of fans gazing up at her with stars in their eyes.

The Long Island native is touring to support her third album, PRESSURE, which debuted on May 23—just enough time for the crowd to learn the lyrics and sing along. While she’s simplistically labeled as a “pop” musician when you do a quick Google search, that would be a lazy description of what is going on with her sound. Listeners know that Wolf is darker than that; there is more grit and edge to her sound than a perfectly packaged, and stereotypically curated, glittery discography.

And that is exactly what Wolf put on display during the show.

She played a mix of new album songs and old favorites, like any good (crowd-pleasing) artist does. And whether she played “Pearl” or “Wishbone,” she was good at engaging the crowd and leaning into the rock stylings of the songs, even when her voice got shaky, and even when the music veered closer to Owl City territory.

Wolf, while sweet and excited to play for an incredibly generous crowd, still has a long way to go. She hits the mark when tasked to write a vulnerable song, and proves to be an artist that people want to hear from (she’s got over 3 million monthly listeners on Spotify), but she’s a young artist with room to grow—and this tour might be the best place for that. As her confidence builds with sold-out venues, and her sound and voice become more uniquely and powerfully hers, she will no doubt be an artist we could soon see playing bigger venues in town, like Stubb’s or Moody Amphitheater.

Trousdale Sang, We Felt Everything

June 3, 2025

Written by Clinton Camper

📍3TEN ACL Live – Austin, TX | 5/31/25

On Saturday night, Trousdale transformed 3TEN into a glowing vortex of harmonies, honesty, and high-key emotional exorcism. The Los Angeles trio — Quinn D’Andrea, Georgia Greene, and Lauren Jones — might sing in perfect unison, but their sound hits you in layers: tender, fierce, and unexpectedly funny.

With zero openers and a room full of loyal fans who already knew every word, they stepped into the spotlight with “Lonely Night” and never let go. It was clear from the jump: this wasn’t just a concert — this was group therapy with better lighting.

Between songs, they bantered like lifelong friends (which they are), and the crowd hung on every word like a campfire story. When they launched into “Growing Pains,” the title track from their 2025 album, it hit like a journal entry set to fireworks — vulnerable and loud in the best way.

They tossed in unexpected moments too, like an acoustic version of “Sleeping at the Wheel” that made the entire room pause — still, silent, and low-key tearing up. And just when you thought you were emotionally stable again, they hit us with “The Ick” in the encore and had the whole room laughing, healing, and pointing fingers at their exes.

The harmonies? Flawless. The crowd? Obsessed. The vibe? Somewhere between soft girl autumn and scream-in-your-car catharsis.

Trousdale isn’t just a band — they’re a feeling. And if you were at 3TEN on Saturday night, you probably still haven’t come down.

Not So Far From Home: Sarah and the Sundays Return to Austin

June 3, 2025

Written by Clinton Camper

📍Antone’s Nightclub – Austin, TX | 5/31/25

On Saturday night, Antone’s wasn’t a blues club — it was an indie rock sanctuary, and Sarah and the Sundays were the high priests of emotional chaos.

The Austin-based band returned to home turf with a sold-out show that felt part house party, part sonic therapy session. From the jump, it was clear the crowd wasn’t just there to listen — they were there to feel something.

They opened with “Casanova,” a brooding slow burn that hit like a late-night text you shouldn't send, setting the tone for a night of catharsis wrapped in catchy hooks. From there, the energy kept building — the band moved with the kind of cohesion that only comes from living in each other’s vans and rehearsal rooms.

Frontman Liam Yorgensen had the crowd locked in, teetering between detached cool and all-out confession. At one point, they debuted a brand new track, “Not So Far From Home,” and the room went dead silent — a rare and respectful kind of hush that only happens when a crowd knows they’re witnessing a moment.

“Take Your Time” hit hard, turning the venue into a singalong swarm, but it was the MGMT cover of “Kids” that caught us off guard — part homage, part indie-kid fever dream, and fully euphoric.

By the time they came back for the encore, the place was sweaty, charged, and begging for more. They closed with “Vices” — a perfect exhale to the night’s emotional inhale.

Sarah and the Sundays proved once again that they’re not just riding the indie wave — they’re helping shape it. And if Saturday night was any indication, their next era is coming in hot.

Glow Hard or Go Home: Glowdeo Invades Austin

June 3, 2025

Written by Clinton Camper

Saturday night (May 17) in Austin got a lot brighter — and twangier — thanks to Glowdeo, a full-blown country-meets-neon blowout at The Far Out Lounge. Think rhinestones, blacklight boots, and enough glowing cowboy hats to start a new constellation.

Demps opened the night and instantly set the tone with a genre-jumping, high-energy set that blended pop, country, and sheer confidence. It wasn’t just an opener — it was a warning: this night was going to slap. Her stage presence was magnetic, delivering crowd-pleasers with a wink and a fire that lit the match for the night ahead.

Next up was Brooke Eden, whose powerhouse vocals and unapologetic stage presence had the crowd screaming lyrics and living their main character moment. She owned that stage like it was her last rodeo (and it clearly wasn’t). She moved effortlessly between big belt-your-heart-out ballads and high-kick country bops, and when she dropped “Sunroof,” the entire crowd raised their drinks and sang like the floorboards might break.

Don Louis closed the night out with the swagger of someone born to headline. Mixing Texas grit with R&B smoothness, his set was electric — literally and metaphorically. You could feel the bass in your boots and the crowd energy from the bar to the parking lot. He had the crowd in the palm of his hand, flipping from slow burns to dancefloor shakers like a pro. By the time he hit his finale, the whole place was lit — and not just from the LED rope lights strung around the trees.

DJ Hexum kept the party glowing between sets, spinning country bangers and remixes that made it impossible to stand still. There were mashups, deep cuts, and just enough Shania to make everyone scream. The crowd danced like it was their birthday and their hometown bar all rolled into one.

Glowdeo wasn’t just a concert — it was a scene. A yeehaw fever dream dipped in glitter and lit by LEDs. People came dressed to be seen: fringe jackets, cowboy hats with built-in lights, heart-shaped sunglasses after dark. It was hot, sweaty, loud, and joyful — the kind of night you don’t come down from quickly.

Austin’s never been more alive. And if Glowdeo comes back next year, we’re bringing even bigger hats.

Queue It Up – Vol. 005: ACL Edition (Part 2)

May 28, 2025

Each week, Queue It Up highlights artists we’ve got on heavy rotation—and for Vol. 005, we’re doubling down on ACL. These ten artists are locked in for both weekends of Austin City Limits Festival 2025, and their latest (or greatest) tracks deserve your full attention before you’re standing under the Zilker sun.

Magdalena Bay kicks things off with “Image”—a glossy, futuristic synth-pop dream that feels like floating through neon mist. It’s weird in the best way.

Polo & Pan team up with Beth Ditto on “Petite Etoile,” a whimsical French disco groove that’s airy, elegant, and built for golden hour dancing.

King Princess links with Arcane for “Fantastic,” a moody, cinematic track with glittering production and confident, layered vocals.

Passion Pit taps Sofi Tukker for “Sleepyhead 2025,” an amped-up, reimagined version of the indie-electro classic—still euphoric, now even wilder.

Yoke Lore slows things down with “The Score,” a steady-building anthem full of earnest delivery, echoing drums, and lyrical honesty.

Spacey Jane’s “All the Noise” blends bright, jangly guitars with emotional tension—equal parts catharsis and adrenaline.

The Dare pulls no punches on “Girls,” a bratty, post-punk party track that screams late-night chaos and dancefloor sweat.

flowerovlove delivers sass and sparkle on “I’ve seen ur ex,” a dreamy indie-pop track wrapped in glittering production and tongue-in-cheek charm.

MJ Lenderman shows off his signature scruffy storytelling on “Wristwatch,” where twangy guitar riffs and offbeat lyrics land like a lo-fi hug.

Spill Tab closes us out with “Athlete,” a bilingual track that flips between delicate and glitchy, blending softness with experimental edge.

This volume is a sonic sampler of ACL’s undercard magic. From synthpop to slacker rock, femme-powered anthems to French grooves—it’s a lineup that rewards curiosity.

📲 See the full visual breakdown on our Instagram

🎧 Stream the Queue It Up playlist

You’ve got time before October—but the listening starts now. Who’s already in your queue?

Tongue Pops & Texas Sass: Alyssa Edwards Comes Home

May 27, 2025

Written by Clinton Camper

Saturday night in Dallas felt like a homecoming celebration, and Alyssa Edwards was the queen returning to her castle. Her Crowned tour stop at House of Blues wasn’t just a show—it was a love letter to her roots, her fans, and the art of drag itself.

From the second she hit the stage, the energy was undeniable. The crowd roared as Alyssa made her grand entrance, decked out in rhinestones and confidence, serving looks and legacy in equal measure. There were high-octane dance numbers, classic Alyssa tongue pops, and more than a few wig-snatching costume changes. But what really hit? The stories.

She walked us through her journey—from Mesquite, Texas, to Drag Race and beyond—with a mix of sass, heart, and hilariously unfiltered commentary. It wasn’t just polished performance; it was personality. Vulnerable, funny, and full of Texas-sized charisma.

At times it felt like we were hanging out in her living room, not a packed concert hall. She talked to the audience like old friends, calling out familiar faces, cracking jokes, and dropping little nuggets of wisdom about staying true to yourself—even when the world tells you to tone it down.

By the end of the night, she had us laughing, crying, and fully believing in the magic of being unapologetically yourself. Alyssa didn’t just come home—she reminded us why she’s royalty.

This Week in ATX: Too Many Shows, Not Enough Clones

May 27, 2025

Written by Clinton Camper

Summer is flirting with us, and Austin is already acting up. This week, the city’s stacked with 44 shows—and we’re talking full-spectrum chaos: soul, emo, metal, country, house, Tejano, and a DJ who might throw a cake at your face. You know the drill.

Every single night has something worth leaving the house for—so if you were looking for a sign, this is it.

Let’s run it day by day:

TUESDAY, MAY 27

Soulful king Durand Bernarr slides into Empire with vocals that don’t miss. Meanwhile, local indie rockers Daisychain headline Mohawk, and the Dallas Cowboys Cheerleaders hit the Paramount stage for a high-energy showcase (yes, really).

• Durand Bernarr @ Empire

• Daisychain @ Mohawk

• Dallas Cowboys Cheerleaders @ Paramount Theatre

WEDNESDAY, MAY 28

This night is stacked. Choose between the sweet soul of Thee Sacred Souls at ACL Live, the flamenco-pop fire of David Bisbal at Emo’s, the math rock sadness of American Football at Mohawk, or Canadian rapper Merkules going off at Come and Take It Live.

Need something free and funky? Far Out Lounge has you covered. Feeling flirty? CJ Sparks is heating up Antone’s.

• Thee Sacred Souls @ ACL Live

• David Bisbal @ Emo’s

• American Football @ Mohawk

• Merkules @ Come and Take It Live

• FREE FUNK Wednesday @ The Far Out Lounge

• CJ Sparks @ Antone’s

THURSDAY, MAY 29

Chaos energy unlocked.

Dierks Bentley brings the boots to Moody Center, Caamp supplies the campfire singalongs at Moody Amphitheater, and Steve Aoki is ready to launch someone across the room at The Marc.

Also on deck: Samara Joy at ACL Live, SUSTO at 3TEN, Juno Birch’s surreal drag madness at Parish, and Seth Meyers doing stand-up at Paramount. Yes, all on the same night.

• Steve Aoki @ The Marc

• Dierks Bentley @ Moody Center

• Caamp @ Moody Amphitheater

• The Drop-In @ Long Center

• Un Día in May @ Antone’s

• Juno Birch @ Parish

• Seth Meyers @ Paramount Theatre

• Samara Joy @ ACL Live

• SUSTO @ 3TEN

• Grizzly Eye Recs @ Mohawk

FRIDAY, MAY 30

A little bit country, a little bit ‘80s synth, a little bit ethereal dance music.

Simple Minds turn Moody Center into a Breakfast Club moment, Alison Krauss delivers angelic vocals at Whitewater, Marsh brings melodic house to Kingdom, and Taylor Tomlinson kicks off a two-night comedy run at ACL Live.

Also peep: The Secret Sisters, Sun Kil Moon, Provoker, King Louie, Babe Haven, and Flower Moon doing the most across Austin.

• Simple Minds @ Moody Center

• Alison Krauss @ Whitewater Amphitheater

• Marsh @ Kingdom

• The Secret Sisters @ The 04 Center

• Provoker @ The 29th St Ballroom

• Taylor Tomlinson @ ACL Live

• Sun Kil Moon @ 3TEN

• King Louie @ Hotel Vegas

• Babe Haven @ Mohawk

• Flower Moon @ Empire

SATURDAY, MAY 31

We’ve hit overload.

Röyksopp at Concourse = rare Nordic electronic magic.

The Word Alive brings metalcore to CATIL, Riovaz’s alt-pop lights up Parish, Trousdale charms 3TEN, and the city fills in with everything from shoegaze (Sunflower Bean) and glam punk (Walt Disco) to local faves like Indoor Creature and Sarah and the Sundays.

Oh, and Taylor Tomlinson is back for round two.

• Röyksopp @ The Concourse Project

• Riovaz @ Parish

• The Word Alive @ Come and Take It Live

• Trousdale @ 3TEN

• Sunflower Bean @ The 29th St Ballroom

• Walt Disco @ Mohawk

• Indoor Creature @ Empire

• Taylor Tomlinson @ ACL Live

• Sarah and the Sundays @ Antone’s

• Spirit Adrift @ Empire

• Hotel Burgundy @ The 13th Floor

SUNDAY, JUNE 1

Closing the week with legends and loud guitars.

Alejandro Fernández brings the full mariachi experience to H-E-B Center—expect tears, cheers, and high notes. Meanwhile, Drive-By Truckers + Deer Tick serve up a double shot of southern rock and heartbreak at Stubb’s.

• Alejandro Fernández @ H-E-B Center

• Drive-By Truckers & Deer Tick @ Stubb’s

• Halfmass @ Mohawk

• Swamp Dogg @ Antone’s

MONDAY, JUNE 2

Let’s be real: You’ll need a nap. But if you’re still standing, we salute you.

—

Need tickets? We’ve got the links on our calendar.

Overwhelmed? Welcome to Austin.

All Eyes on Kaash Paige

May 26, 2025

Kaash Paige rolled into Antone’s on Memorial Day weekend and turned the historic Austin venue into a full-on R&B sanctuary. With a packed crowd, wall-to-wall fans singing every lyric like scripture, and a magnetic presence that felt both chill and commanding, Kaash proved once again that she’s not just riding the wave — she is the wave.

The show felt less like a concert and more like an intimate kickback with 300 of your closest emotionally fluent friends. It wasn’t just the music — it was the connection. Kaash snapped videos on fans’ phones mid-set, gave shoutouts, laughed, flirted, and made the whole place feel like her living room. The energy was alive, loud, and leaning heavily queer (as it should be). As one fan put it: “She’s a cutie. I’d hit it.”

And the music? Smooth. Confessional. Undeniably Kaash. She played her breakout hit “Love Songs” to a wave of cheers — then played it again because the crowd demanded it. Her voice floated somewhere between a whisper and a confession, raw and slick all at once, with tracks from Teenage Fever, Parked Car Convos, and S2ML sliding effortlessly into each other. It felt personal, like every line was being sung directly to you.

Local openers Grace Sorensen and Dee Gatti set the tone with moody, sultry sets of their own — a perfect warmup for what was to come. But once Kaash stepped on stage, it was clear who owned the night. No features, no frills, just a girl, a mic, and a room full of people who showed up to feel something.

Whether you came for the hits or just needed to cry-croon with strangers on a Saturday night, Kaash Paige delivered the soundtrack. And on a weekend built for backyard barbecues and beer runs, Antone’s was the spot where love songs reigned supreme.

Live in the Nowhere: West 22nd Lights Up Dallas

May 26, 2025

Written by Clinton Camper

West 22nd isn’t just riding the wave of their debut album — they’re steering it with purpose. Sunday night’s sold-out show in the intimate Cambridge Room at House of Blues Dallas felt less like a tour stop and more like a reunion of longtime friends, the kind where everyone already knows the words.

From the moment they launched into “Can’t Help It,” the crowd made it clear: this wasn’t just a band on the rise, this was their band. There’s something uniquely magnetic about West 22nd’s stage presence — frontman Logan Madsen has the charm of a guy who just handed you a beer and the conviction of someone who’s been writing songs in his bedroom for this exact moment. The rest of the band matched him beat for beat: tight, loud, and fully dialed into each other.

While the setlist blended fan favorites like “Savannah,” “Sleeping Alone,” and “Love On The Run” with deeper album cuts, the real standout wasn’t a single song — it was the sense of shared experience. The room sang. The room danced. The room knew. When they pulled out an unexpected cover of MGMT’s “Kids,” it was like being transported to a college house party that just kept getting better. And when they closed with a raucous double-encore, ending on Florence + The Machine’s “Dog Days Are Over,” it was impossible not to believe them.

West 22nd isn’t chasing a moment. They’re making one. And if Dallas was any indication, they’re not just a band to watch — they’re a band to follow, city by city, song by song.

Hippo Campus' Talent Floods Austin

May 23, 2025

Written by Krysta Ayers

MAY 21, ACL Live Moody Theater—With 1.5 million monthly listeners on Spotify, you might be hard pressed to call Hippo Campus an underdog, but the band—with their alt-indie mesh of melodies that serve as a prologue to the Strokes-esque underground of the early aughts—are greatly underrated for the talent and amount of (great) songs in their catalogue. Currently on their spring ‘25 FLOOD tour, the band was back in Austin to promote their September 2024 album of the same name.

Though regular concert-goers I speak to share the same gripe that concert etiquette has been buried deep into the earth, that was not the case for the crowd in attendance. Nobody, from where I stood, was disruptive with loud chatter, or blocking views with phones held high. The Minnesota-based band immediately held attention and played for over an hour straight—no bullshit, no banter, just…music.

And, with DeCarlo Jackson on the trumpet (among other instruments), the sound projecting into the speakers boomed into our chests with a seriousness that spoke to their jazz- and opera-trained musical education. This was their art on display.

Jake Luppen (lead vocals/guitar) and Nathan Stocker (lead guitar/vocals) tag-teamed the vocals. Whistler Isaiah Allen (drums/vocals) and Zach Sutton (bass/keyboard) were the heart of the songs who kept things on beat and pulsing. The setlist covered 2017’s Landmark, dipped into 2018’s Bambi, included “Yippi Ki Yay” from the Wasteland EP and, of course, dived into the latest album, FLOOD.

The first three songs played are off the new album and examine the various emotions that come with love. There are kick-in-the-teeth lyrics like, “Do I love you / Or am I just too afraid to leave?,” which played against the backdrop of ‘80s-inspired drums and keyboards for their track “Paranoid.” And, “Told me that you love me / And I said it right back / Got a little shiver / Now I can’t relax,” in the song “Madman” that portrays a more optimistic outlook on a relationship.

One song after the other—aided by a spectacular light show (shout out to that person!)—the members shared their body of work on stage with professional grandeur. They knew their instruments, they were experts in timing, and both Nathan’s and Jake’s voices were a masterclass in key changes (Jake was the one who studied opera, by the way).

From Minnesota (I hope you read that in an accent) to Texas and the rest of the capacious nation, the band is ready to unload their heap of talent onto the stage. Question is…will you be there to watch next time?

Geronimo and the Gospel of Grit: Shane Smith & the Saints at ACL Live

May 23, 2025

Written by Clinton Camper

On a Tuesday night that felt anything but ordinary, Shane Smith & The Saints turned the PBR Team Draft into a Southern spectacle at ACL Live at The Moody Theater. Equal parts rodeo grit and Americana glory, the band delivered a high-octane, emotionally charged set that reminded everyone why they’re one of Texas’ most beloved live acts.

The night opened with the cinematic swell of “Geronimo,” immediately setting the tone for a show that was as much a spiritual experience as it was a concert. From the thunderous pulse of “Fire in the Sky” to the tender heartbreak of “Adeline,” Shane’s raw, soaring vocals never missed. Fiddle solos from Bennett Brown sliced through the room with wildfire precision, especially on the rollicking “Mountain Girl” and the hauntingly beautiful “The Greys Between.”

Covers were carefully chosen and soulfully executed—Levon Helm’s “Hurricane” roared with stormy emotion, while the band’s take on The Marshall Tucker Band’s “Can’t You See” earned one of the loudest singalongs of the night. Still, it was original tracks like “Hail Mary,” “Feather in the Wind,” and “All I See Is You” that anchored the performance with grit, grace, and an unmistakable Texas identity.

By the time they closed with “All I See Is You,” the crowd was locked in—singing, swaying, and savoring every note. It wasn’t just a concert; it was a reminder of why live music matters. Shane Smith & The Saints don’t just perform songs—they ignite something deeper. And on this night in Austin, they left it all on the stage.

Welcome to Haashville: Austin Edition

May 22, 2025

Written & reviewed by Perrin Boyd

Sisters Hanna Nicole and Ashley Grace Pérez Mosa brought their HAASHVILLE Tour to Austin on Saturday, May 17, lighting up ACL Live at the Moody Theater with a genre-blending, heart-thumping performance that felt as personal as it was powerful. Fusing Latin pop with hints of country, rock, and soul, the Lake Charles duo delivered a vibrant, emotional, and visually dynamic show that had the packed house on their feet from the first note to the last.

Draped in cowboy hats and bright colors, fans came ready—and Ha*Ash met them with pure charisma. Ashley’s powerhouse vocals and nonstop energy radiated through the venue, while Hanna moved seamlessly between guitar, piano, harmonica, and soaring harmonies, showcasing the full spectrum of their musical versatility. Their onstage chemistry was effortless, turning each song into a shared experience, whether it was a gut-punch ballad or an explosive pop anthem.

The setlist was a rollercoaster of feels: heartbreak, healing, empowerment, and everything in between. Moments like the mid-show medleys and emotional singalongs had the audience screaming lyrics with full hearts, while a standout moment saw two lucky fans invited onstage to help sing “100 Años,” drawing roars of applause and more than a few tears.

They closed the night with “Lo Aprendí de Ti,” a hauntingly beautiful crowd favorite that left the room buzzing with emotion. As the final notes echoed through the theater, one thing was clear: Ha*Ash doesn’t just put on a show—they create a moment. And for Austin, it was one they won’t soon forget.

Queue It Up Vol. 004: A Little Chaos, A Lot of Heart

May 21, 2025

by Clinton Camper

Each week, Queue It Up highlights the artists we can’t stop playing—whether they’re blowing up, bubbling under, or quietly dropping something special. Volume 004 is a genre-hopping ride through swaggering rap, intimate pop, road-trip-ready indie, and soul-soaked grooves.

BB Trickz kicks things off with “SUPER”, a warped and wild track that feels like SoundCloud rap thrown into a blender with hyperpop. It’s chaotic, cocky, and totally captivating.

Next up, PJ Sin Suela brings brains and bars on “TOP”. He’s a doctor, yes, but he’s also got razor-sharp flow and a playful streak that shines on this crisp, clever track.

Feeling the breeze? Goth Babe is your guy. “Crocodile” captures that freedom-on-the-road energy with laid-back guitars and vocals that feel like golden hour in song form.

Skye Newman brings a softer touch with “Hairdresser,” turning quiet moments into something oddly magical. Her lo-fi textures and intimate delivery make every word feel personal.

For fans of throwback cool, Ax & the Hatchetmen deliver “Love Songs”—a retro-tinted, horn-backed indie jam that’ll have you dancing through the heartache.

Romy Mars floats through “A-Lister” with confidence and charm, unpacking fame with dreamy alt-pop production and a wink of self-awareness.

And finally, Camuse slows things down with “Peach Marmalade,” a syrupy, surreal track full of hazy production and introspective bars that stick with you.

This volume is all about contrast—loud vs. soft, bold vs. vulnerable, chaos vs. calm. It’s a snapshot of what we love most about music: it doesn’t have to make sense, it just has to make you feel something.

Check out our Instagram for the full visual breakdown of Vol. 004, and tap into our curated Spotify playlist for the full audio experience. Trust us—this one’s worth a deep dive.

So hit play, dive in, and let us know: what’s in your queue?

From Dallas to the World: Flight by Nothing Is Just Getting Started

May 20, 2025

Written and interviewed by Krysta Ayers

MAY 16, Empire Control Room—I heard somewhere (it was probably a comment on TikTok) that music is for the youth. And if that’s the case, then the youth are going to be in great hands with Flight by Nothing. Currently on their Spring + Summer Tour ‘25, the five-piece rock band (106K monthly listeners on Spotify) is calling Austin home and sweetening the talent pool.

On Friday night, ATXconcert caught up with Conner (vocals/guitar), Huey (keys/vocals), Pacco (lead guitar), Sam (drums), and Porfii (bass)—the bandmates that have been friends since elementary(!)—for a quick interview before the show. But, before you scroll on to the interview, let me wax poetic about their high-energy, blue-light-blinding, intoxicating show.

Mark my words: You’ll be hearing about Flight by Nothing if you aren’t already familiar with them. And while it may seem like an exaggeration, just take a listen for yourself, and then (because I’m telling you now), know that they sound even better live. They have created the right combination of genres and style, have boundless energy, and unquestionable talent. And the long-term friendship has paid off on stage. They easily communicate with nods, pointed instruments, or glances.

Among new and unreleased songs, they also played songs from their 2023 album, Back for More. They played the titular track near the end of the set, and followed up with the quintessential rock songs, “Analysis Paralysis” and “Cocaine is OK”—which made the dark, tight venue feel like something out of the early-aughts. Made more believable since the (mostly) young crowd was wearing the fashion trends of that era.

They played “shiver,” which has a reggae sound that could easily belong to Rebelution, and “HERE WE GO,” which was just released late last month as a single. Conner’s tenor voice and Porfii’s bass solo (yes, a bass solo!!) on that one are incredible, like they’ve been playing it for longer than a month, and the band easily gets the crowd to jump around and join in.

At one point, Conner tells the crowd, “This next song is about making sweet sweet love” before jumping into the groovy track, “soul submission,” a single released in 2024. For “Too Bummed to Dance,” a song that Huey sings the vocals for, they coax the crowd into getting low on the floor before popping up to jump on beat. And during the entire show, Pacco wields his guitar like it’s an extension of himself, channeling the guitarists he looks up to (in the interview below), head-banging with his long, sweaty hair, and expertly strumming each note with finesse. His hours of practice have made this appear easy.

Because that’s really the whole of it: Flight by Nothing has so obviously taken music and their instruments seriously, and as much as they are having a blast on stage, the hours they’ve put in do not go unnoticed. The lyrics are tight, the guys are charismatic, and the music that they’ve created is that of someone who has studied the bands of different genres that came before them. And so, if you’ve got a second to check them out, or you ever see that they’re playing at a venue near you, you would do well to watch them and take it in for yourself.

And now, an interview with Flight by Nothing. This has been edited for clarity and length.

ATXconcert: Who do y’all get music inspiration from?

Conner: Right now, in a nutshell: Bad Nerve, Turnstile, Jungle, Michael Jackson’s always in there, City and Colour, and Tash Sultana.
Pacco: Hm, the guitars that are just theatrical. Like, Jimi Hendrix was always great on stage, Van Halen, Ozzy Osborne’s guitar player, Jake E. Lee from the 80’s was one of the best—he was good technically but he could also put on a show and that’s what I try to do on stage.
Sam: As a kid, I got a lot of inspiration from Travis Barker. I like Anderson .Paak a lot; I think he’s really inspiring...My Morning Jacket is a band that’s been around for like, 25 years and it’s just cool to hear that that music is still cool 25 years later.
Huey: Flipturn is an up-and-coming band. Big fan. They’re on a new level every few months and that’s really inspiring to see.
Porfii: ‘70s and ‘80s funk and The Red Hot Chili Peppers

ATX: What band would you want to open up for?

Flight by Nothing: Young the Giant, The Arctic Monkeys, Parcels, Turnstile

ATX: You guys did SXSW this year. How was that?

Conner: Oh, it was awesome! It was so much fun. I feel like you always hear people talking about, “OH, SXSW isn’t what it used to be.” I feel like we can’t personally speak on that because we’ve only been to the past few as fans and then the first time playing this past one but I feel like we had the quintessential O.G. SX show because it felt like a house party. Everyone was stoked to be in there. It was packed. We were just on it that night. It was so much fun.

ATX: What’s the craziest story you can share from tour?

FBN: I think the craziest, we played River Fest in San Marcos and we played right before Tyga and the gate came down during our set. So, 1,000 people rushed in, it was over capacity and the whole set people were passing out, they were calling ambulances. It felt really hard to tell everyone, Ok everyone get hype!

ATX: You guys have a lot of singles out right now. Does this mean we’re going to get another album soon?

Conner: Yeah, we’re working on an album. Half of it is recorded, half of it still in our brains, but there is the scaffolding for an album. We really want to aim to put it out at the end of the year. We wanna take our time with it and really stick the landing, you know?

ATX: What do you want fans to take away from your shows?

Conner: I want them to come to the show, and I want them to have, just the best time ever. I want them to feel comfortable and free to dance and sing the wrong words and be off-key, and make friends. I want it to be a very communal experience. We’re all here together. I really want people to leave with connections, too.
Huey: I think when we used to play in Dallas, we would sit outside of the venue and ask people to come to the show and then we would play to like, 5 to 15 people, but it would be such a good time. I think we still carry that. Where, if you’re here, just to see us, then we’re here for y’all, too.

San Antonio’s Wild Party: Hooks, Heat, and Honey

May 19, 2025

by Clinton Camper

Last Friday night, 3TEN felt more like a house party than a concert venue — and that’s exactly how Wild Party wanted it. The San Antonio indie-pop outfit turned the intimate room into a blur of bouncing heads, shouted choruses, and pure Phantom Pop bliss.

From the moment they launched into “Take My Advice,” the band had the crowd in the palm of their hands. Lincoln Kreifels, still all charm and swagger, wasted no time connecting with fans — whether through banter or just locking eyes and delivering each line like he meant it. And when the unmistakable opening riff of “Outright” hit? The entire floor moved.

The setlist was a celebration of their cult-favorite debut album, Phantom Pop, with highlights like “When I Get Older,” “Violet,” and “Chasing Honey” all getting the full singalong treatment. But what stood out just as much were the newer, unreleased tracks they teased — fresh but still full of that signature Wild Party shine: upbeat, tightly arranged, and effortlessly fun.

Sonically, the band sounded tight and crisp. Their mix of jangly guitars, synth flourishes, and power-pop percussion gave the room a warm, analog glow. There was a sense that they weren’t just performing to the crowd — they were right there with us, dancing in the same moment.

Wild Party hasn’t flooded the market with new material or endless tours — and maybe that’s the magic. Seeing them live still feels like a rare treat, a band that knows its worth and never phones it in.

Friday night reminded us why we fell for them in the first place. Nostalgic but never stale, Wild Party brought the house down like they never left.

This Week in ATX: 40+ Reasons to Leave the House

May 19, 2025

Written by Clinton Camper

May 19–25, 2025

If you’ve been waiting for a reason to get off the couch—Austin just gave you 40+.

This week’s concert lineup is an all-you-can-hear buffet, stacked with pop icons, metal monsters, indie darlings, dance floor fillers, and enough genre-hopping weirdness to keep your group chats arguing for days. There’s no theme. There’s no chill. Just nonstop live music, every single night, at every corner of the city.

Katy Perry kicks off the week with a full-blown arena spectacle at Moody Center, while Shane Smith & The Saints and BabyJake give Tuesday some Texas heart and genre-bending soul. Indie rock? We got The Unlikely Candidates and Beach Vacation playing small rooms and keeping things intimate.

On Wednesday, the energy splits in every direction: Hippo Campus headlines ACL Live with their signature indie shimmer, Jack Van Cleaf brings Americana warmth to 3Ten, and Deafheaven lets loose a wall of sound over at Emo’s. Want something vibey and local? Catch The Watters at Antone’s or Eliza & The Delusionals making their Austin debut at 29th St.

Thursday might be the most chaotic good of the bunch. Tiesto turns Concourse Project into a warehouse rave, GWAR hits Radio/East with blood, guts, and power chords, and Testament takes over Empire with thrash metal fury. Punk and shoegaze heads can find their home with The Menzingers, zzzahara, and Alison’s Halo scattered around town.

By Friday, it’s officially too many good options: Ryan Adams and Allison Russell lead the singer-songwriter charge, but EDM fans can find their haven with Patrick Topping, Latin party lovers can vibe with Frente Cumbiero, and those just looking for something fun can choose between The Spits, Alyssa Edwards, a One Direction Dance Party, or all of the above. (We’re not judging.)

And just when you think you’ve made it through the week, Saturday laughs in your face:

Key Glock brings Southern heat to Moody Center. Darude drops the most iconic trance banger of all time. Ryan Bingham returns for a big Texas homecoming at Whitewater. Meanwhile, Horsegirl, The Wrecks, White Denim, Harms Way & Full of Hell, Metalachi, Driver Friendly, and Los Texmaniacs round things out with everything from alt-rock and punk to metal mariachi and Tejano roots.

It’s one of those weeks where you wish you could clone yourself.

Whether you’re chasing headliners or hunting for hidden gems, there’s no wrong answer—only shows you’ll regret missing. So throw on some boots, sneakers, stilettos, whatever fits your scene, and get out there.

Need tickets? We’ve got you.

Want the full breakdown? Scroll down.

Looking for excuses? Not this week.

Let’s make some noise.

Full Lineup: May 19–25

Mon 5/19

• Big Loser @ Mohawk

• Strawberry Girls @ CATIL

Tue 5/20

• Katy Perry @ Moody Center

• Shane Smith & The Saints @ ACL Live

• BabyJake @ Empire

• The Unlikely Candidates @ 29th St

• Beach Vacation @ Mohawk

We’d 5/21

• Hippo Campus @ ACL Live

• Jack Van Cleaf @ 3Ten

• Deafheaven @ Emo’s

• Nightly @ Scoot Inn

• The Watters @ Antone’s

• Eliza & The Delusionals @ 29th St

Thu 5/22

• Tiesto @ Concourse Project

• Testament @ Empire

• Brooksie @ Empire

• GWAR @ Radio/East

• The Menzingers @ Emo’s

• zzzahara @ Mohawk

• Alison’s Halo @ 29th St

Fri 5/23

• Ryan Adams @ ACL Live

• Allison Russell @ Scoot Inn

• The Spits @ Mohawk

• Kate Angel @ Empire

• Wrongbird @ Empire

• Frente Cumbiero @ Antone’s

• Patrick Topping @ Concourse

• Alyssa Edwards @ Paramount

• One Direction Dance Party @ Emo’s

Sat 5/24

• Key Glock @ Moody Center

• Darude @ Kingdom

• Ryan Bingham @ Whitewater Amp

• Horsegirl @ Concourse

• The Wrecks @ Emo’s

• White Denim @ Mohawk

• Metalachi @ Antone’s

• Driver Friendly @ Parish

• Harms Way & Full Of Hell @ Empire

• Los Texmaniacs @ The 04 Center

Indie-Folk Band Florist Elicits Tears in Austin

May 16, 2025

Written and reviewed by Krysta Ayers

MAY 13, ANTONE’S—Seeing a show on a Tuesday in Austin can feel incongruous when the rest of the city is winding down on a “school night.” But Antone’s, and the Live Music Capital of the World, as the city has been anointed, always has a show to pop into. Enter Florist, a Brooklyn-based band formed in 2013 and fronted by Emily Sprague. One-third of their way into their Jellywish Tour and the American indie folk band stopped here to play their soft and slow, vulnerable songs.

When I made my way to the venue, I found myself behind a couple, perhaps visiting the city, who decided to take a chance on the band on the marquee. I overheard them asking the door guy if tickets were available and if they could pop in to see the show. (The great thing about this city and its never-ending pool of music is discovering new music.) Trailing behind them, I finally caught a glimpse of the stage, and inside, the small, dedicated group of fans huddled close to the band performing.

As is the case with American folk music, it engenders people to pay attention; you’ve gotta quiet the chatter to listen to the lyrics and note the emotions the cycle of chords elicit. The “indie” part that Florist adds to this, the part that brings us into the 21st century and away from comparisons to Pete Seegar or Bob Dylan, are the synthesizers and electric guitars.

Aside from the electric guitars, synthesizers, and keyboards, though, this is a quiet show. At times, the crowd, whether so wrapped up in the song or unsure whether it had truly ended, clapped with delayed praise.

Halfway through the set, I looked over to gauge other crowd reactions, and saw a beautiful moment for live music (and the reason that shows are so important, especially when you’re young): a young woman, who had her boyfriend’s arms wrapped around her, was locked into every word and silently crying and wiping away tears with each new song. Sprague introduced a few songs with a snippet of background info; “This one is about the fear of losing this,” talking about the fortune of being able to travel and sing songs for a living. And it’s that vulnerability and openness that seems to be connecting with the crowd.

Florist is all show—an unplugged show from the days when MTV played music. They are deeply focused on playing their songs, no matter how awkward the silences in between get, or how loud the voices from the bar get. Sprague’s voice blooms into the speakers like the spring season we’re in, delicate but simultaneously bold and colorful in the range of notes. The bass is straightforward, no funky grooves. And the drums are subtle, but necessary for the backdrop of the sweet and tender lyrics.

The band’s tour will hit the West Coast and Midwest before stopping in Canada and heading back east—covering all their bases in one month as the tour ends May 31. If you find yourself wanting to slow down, or if you need to cry it out (who doesn’t these days?), go ahead and give Florist a listen.

Austin, You’re Booked

May 15, 2025

Written by Clinton Camper | Thursday, May 15, 2025

This week’s batch of show announcements proves one thing: Austin’s live calendar never sleeps. Whether you're chasing mosh pits, moody synths, late-night DJ sets, or a night of laughs, there’s something freshly added to the docket—and some heavy hitters have officially joined the schedule.

First up, Kali Uchis is bringing her Sincerely tour to the Moody Center on August 31, riding high on the momentum of her critically acclaimed fifth studio album. It’s a massive pop/R&B moment that’s sure to sell fast. Just a few months later, Billy Strings returns for a two-night run—first at Moody Center on December 13, then a special intimate night at ACL Live on December 14. Whether you’ve seen him shred or not, this is peak-level bluegrass and jam band magic.

Latin pop fans should mark December 6 on their calendar: chart-topping duo Jesse & Joy will hit Emo’s, bringing a catalog full of romantic anthems and crossover hits. Over at Stubb’s, French disco-pop icons L’Impératrice are making their Austin return on October 26, with a show that promises groove-heavy euphoria under the stars.

Legacy acts are showing up strong too—Lionel Richie is booked for the Paramount Theatre on October 1, reminding us that timeless hits (and all-night long dance parties) never go out of style. And if comedy is more your speed, George Lopez is back in town for a show at ACL Live on July 18.

This week also brought surprises from the world of hip-hop, experimental soul, and alternative cool. NxWorries—the duo of Anderson .Paak and Knxwledge—land at Stubb’s on October 8, while Killer Mike will bring MICHAEL to life at Radio/East on September 12 in what’s guaranteed to be an electrifying, intimate set. On the rap front, NBA YoungBoy is making a big return with a headlining night at Moody Center on September 5—one of the most high-profile hip-hop bookings this fall.

Indie darling Neil Francis dropped a new Mohawk date for September 25, and Kyle Mooney—yes, that Kyle Mooney—is heading to Mohawk too, bringing his absurdist brilliance to the stage on August 1. Meanwhile, cult favorite Alex G will be playing Stubb’s on September 30, marking a rare Austin stop for one of indie’s most enigmatic singer-songwriters. And don't forget Hot Summer Nights: the beloved Red River mini-fest returns July 24–26 with a mix of locals, legends, and everything in between.

That’s just the beginning. Norteño superstars Intocable are bringing their massive catalog to the H-E-B Center on November 14, and rising Texas favorite Waylon Wyatt headlines Antone’s six days later. Over at ACL Live, rock powerhouse Nothing More announced a big play for January 24—expect a theatrical, high-octane show full of riffs and screams. Meanwhile, Matroda is locked in for an August 30 date at Concourse Project, bringing his punchy house beats and underground energy to one of the city’s best-sounding rooms.

Indie-electro cult favorites Anamanaguchi land at Emo’s on September 19, and German producer Christian Löffler brings his lush, moody electronica to Parish on July 17. Other just-announced highlights include Beach Fossils at Mohawk, soulful multi-instrumentalist Dargz at Antone’s, introspective rapper Phora at Empire, shimmering synth-rock trio Nation of Language, folk-pop darlings Oliver Hazard, post-punk mystics French Police, and retro-futurist producer The Polish Ambassador—all now officially on the calendar.

Even with our weekly “Just Announced” carousel on Instagram, we can’t fit every show in a square post. That’s why this feature is here—to keep you looped in on the full picture.

For ticket links, presale info, and a closer look at everything coming up, keep it locked to atxconcert.com—we’ll keep the calendar full, your group chats buzzing, and your playlists fresh.

See below for the full list of new announcements listed by date.

• June 13 – Ella Red at Mohawk
• July 17 – Christian Löffler at Parish
• July 18 – George Lopez at ACL Live
• July 20 – 408 at 3Ten
• July 24–26 – Hot Summer Nights
• July 31 – Phora at Empire
• August 1 – Kyle Mooney at Mohawk
• August 30 – Matroda at Concourse Project
• August 31 – Kali Uchis at Moody Center
• September 2 – Motherfolk at 29th Street Ballroom
• September 4 – Yuno at Mohawk
• September 5 – NBA YoungBoy at Moody Center
• September 6 – Mal Blum at Mohawk
• September 12 – Killer Mike at Radio/East
• September 13 – McElroy Family – The Adventure Zone at Paramount Theatre
• September 14 – McElroy Family – My Brother, My Brother & Me at Paramount Theatre
• September 19 – Anamanaguchi at Emo’s
• September 24 – Beach Fossils at Mohawk
• September 25 – Neil Francis at Mohawk
• September 27 – The Polish Ambassador at Empire
• September 30 – Alex G at Stubbs
• October 1 – Lionel Richie at Paramount Theatre
• October 8 – NxWorries at Stubbs
• October 13 – Nourished by Time at 3Ten
• October 16 – Iliza Shlesinger at Bass Concert Hall
• October 21 – Nation of Language at Mohawk
• October 24 – Oliver Hazard at Parish
• October 24 – Allan Rayman at Empire
• October 24 – Arlie & The Orb at Empire
• October 26 – L’Impératrice at Stubb’s
• October 28 – French Police at Hotel Vegas
• November 11 – Straight No Chaser at ACL Live
• November 14 – Intocable at H-E-B Center
• November 19 – Dargz at Antone’s
• November 20 – Waylon Wyatt at Antone’s
• December 6 – Keller Williams at Antone’s
• December 6 – Jesse & Joy at Emo’s
• December 13 – Billy Strings at Moody Center
• December 14 – Billy Strings at ACL Live
• January 24 – Nothing More at ACL Live